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  • Pitseolak Qimirpik

    Fusing pop-culture and tradition
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  • Mathew Ashevak

    Polished to perfection
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  • Damien Iquallaq

    Intricately detailed and finely texture
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  • Derrick Pottle

    Memory and experience
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  • Priscilla Boulay

    A life surrounded by carving
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  • Kupapik Ningeocheak

    Incredible mass and presence
    Read More
  • Heather Kayotak

    Mysteries that charm and delight
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  • Kakkee Ningosiaq

    Swimming upwards
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  • Jason Jacque

    Distilled arctic animals
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  • Malu Natakok

    Inherent charm and humour
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  • Johnny Sivuarapik

    An abstract look at stone.
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  • Derrald Taylor

    Finely detailed and highly technical
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  • Sammy Kudluk

    Whimsical, unexpected and brimming with movement
    Read More
  • 5 Works: Winter 2019

    IAQ staff have picked works that show how people cruise, chase and travel across oceans, rivers and dreams.
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  • Kinngait Rewind

    To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.
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  • Loons Curing the Blind

    IAQ’s John Geoghegan takes a closes look at one of the Canadian Eskimo Arts Council’s rejected prints: “Loons Curing the Blind” by May Lonsdale
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  • Birds and Dog Feeding

    Couzyn Van Heuvelen takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birds and Dog Feeding” by Ikayukta Tunnillie.
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  • Drum Dance in the Igloo

    Mark Igloliorte takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Drum Dance in the Igloo” by Paul Uta’naaq
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  • Untitled (1976)

    Janice Grey takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Untitled” by Thomassie Echalook
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  • Untitled (7 Geese, 4 People, 2 Dogs)

    Mark London takes a closer look at one of the Canadian Eskimo Arts Council’s Rejected Prints, “Untitled (7 Geese, 4 People, 2 Dogs)” by Parr.
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  • Woman in Labour

    Linda Grussani takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Woman in Labour” by Janet Kigusiuq.
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  • Man and Woman Going After Walrus

    Richard Murdoch takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Man and Woman Going after Walrus” by Leah Qumaaluk.
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  • Walrus Surprises Hunter

    Heather Campbell takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Walrus Surprises Hunter” by Napachie Pootoogook.
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  • Birth of Jesus

    Alysa Procida takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birth of Jesus” by Harry Egotak.
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  • Elle-Máijá Tailfeathers' Rebel Love Story

    Blackfoot and Sámi writer, director, producer and actor Elle-Máijá Tailfeathers’ 2014 film tells the story of her parent’s activism as well as the legacies of intergenerational and familial trauma through their radical, rebel love.
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  • Tracing the Lines of Alethea Aggiuq Arnaquq-Baril's Tunniit

    Through the lens of the 2011 film “Tunniit: Retracing the Lines of Inuit Tattoos,” Writer, producer and director Stacey Aglok revisits the Iqaluit-based filmmakers practice that has become a living, breathing process.
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  • How Kenojuak Ashevak Influenced Brian Jungen

    On the occasion of Brian Jungen’s exhibition “Friendship Centre” at the Art Gallery of Ontario in Toronto, ON, we revisit his work and surprising connections to celebrated graphic artist Kenojuak Ashevak.
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  • Spiders, Insects and Other Creepy-Crawlies

    During summer the days are long, the skies are sunny and the insects are out in full force. We are sharing 5 Works from our spring 2018 issue which highlight artists’ interpretations of sometimes pesky, sometimes friendly, critters.
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  • Anchorage Museum

    For this spotlight on the Anchorage Museum in Anchorage, Alaska, we asked Aaron Leggett, Curator of Alaska History and Culture, to pick the five works he believes speak to the heart of the collection.
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  • Nuuk Kunstmuseum

    For this spotlight on the Nuuk Kunstmuseum in Nuuk, Greenland we asked curators Nivi Christensen and Stine Lundberg Hansen to pick 5 works they believe speak to the heart of the collection.
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  • Bill Nasogaluak

    Everyone who enters our living room stops and looks in awe at the green stone sculpture by Inuit artist Bill Nasogaluak titled Sedna on Cross (2006). Also known as The Death of My Culture, the sculpture’s strength is inescapable.
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  • Inuit Art Auction Picks

    The IAQ’s favourite auction picks from the fall 2016 art offerings. Here are works that surprised us, delighted us, and left us wishing our budgets were unlimited.
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