Janice Grey takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Untitled” by Thomassie Echalook

Mark London takes a closer look at one of the Canadian Eskimo Arts Council’s Rejected Prints, “Untitled (7 Geese, 4 People, 2 Dogs)” by Parr.

Linda Grussani takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Woman in Labour” by Janet Kigusiuq.

Richard Murdoch takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Man and Woman Going after Walrus” by Leah Qumaaluk.

Heather Campbell takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Walrus Surprises Hunter” by Napachie Pootoogook.

Alysa Procida takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birth of Jesus” by Harry Egotak.

The National Gallery of Canada (NGC) has confirmed that the Canada Pavilion will be curated by a team composed of Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer and Candice Hopkins.

Reflecting on a trip North in the early 1990s, a curator and writer delves into Isuma’s legacy, their presentation of time and what the collective’s work means for us all.

Blackfoot and Sámi writer, director, producer and actor Elle-Máijá Tailfeathers’ 2014 film tells the story of her parent’s activism as well as the legacies of intergenerational and familial trauma through their radical, rebel love.

A bold and graphic nod to the history of Inuit printmaking by Bowmanville-based sculptor and installation artist Couzyn van Heuvelen is among the five short-listed proposal for the Glen Road Pedestrian Tunnel public art project.

Iglulik-based collectives Isuma and Arnait Video Productions harness the power of film to retain, recall and preserve collective memory, significantly contributing to the revitalization of culture and language.

Through the lens of the 2011 film “Tunniit: Retracing the Lines of Inuit Tattoos,” Writer, producer and director Stacey Aglok revisits the Iqaluit-based filmmakers practice that has become a living, breathing process.

Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting to his Nunavimmiut identity while living and producing art in an urban centre.

While much of Hansen’s work is made with a Greenlandic audience in mind, her experimental shorts and horror features have garnered just as much attention from international viewers.

Vancouver’s Spirit Wrestler Gallery is closing its doors to the public this October. Founded in 1995, the gallery became well-known for showcasing the work of a host of leading Indigenous artists from across Canada and beyond.

Among Festival Internacional Cervantino’s 2019 line-up are a number of Inuit artists including a Polaris Prize-nominated musician and a Dora award-winning multidisciplinary artist.

From intimate family dramas to a steam punk, alt-historical epic, Iñupiaq filmmaker Katie Doane Avery’s category-defying stories continue to challenge the stereotypical tropes that often pervade narrative filmmaking.

Films have been an integral part of Mosha Folger’s life since he can remember. From documentaries to music videos, the director captures the numerous social, economic and political issues facing those living throughout the Arctic.

Set in Nunavik shortly after World War II, Restless River (2019) is based off Gabrielle Roy’s 1970 novel Windflower.

The Nunavut Arts and Crafts has a new Inuit majority Board of Directors. 11 out of the 12 positions on the recently elected board are now held by Inuit, following their appointments during NACA’s annual general meeting in July.

The 2019 edition of the annual festival, held in the community of Manndalen, Norway, boasted an impressive roster of Inuit creatives from musicians to filmmakers and more.

Animator, filmmaker and visual artist Glenn Gear explores his identity as an urban Inuk with ancestral ties to Nunatsiavut by working with film and installations to capture the liminal space between natural and built environments.

Containing never before seen recordings, interviews, documentation and over 20 years of raw footage, what questions are raised after visiting the archive of Igloolik Isuma Productions housed at the National Gallery of Canada?

Emerging artist Aija Komangapik has received first place in the Indigenous Arts & Stories contest, presented annually by Historica Canada, for the digital drawing Drumdancer (2019).

Moving between past, present and future, Qamani’tuaq (Baker Lake), NU, artist Janet Nungnik’s large-scale autobiographical textile works weave together poetry and personal history.

The short list for the 2019 Polaris Music Prize has been announced, and among the 10 nominated albums is Ballad of the Runaway Girl (2018) by Montreal-based, Salluit-raised musician Elisapie (Elisapie Isaac).

In celebration of 60 years of printmaking in Kinngait (Cape Dorset), NU, Dorset Fine Arts has released a special summer collection featuring two new works by Ningiukulu Teevee and Ooloosie Saila as well as a historic, previously unreleased print by Pitaloosie Saila, RCA.

The list of participating artists for the Toronto Biennial of Art this fall has been released, with a number of artists from across the Arctic among the 90 national and international participants named so far for the 72 day event.

Indigenous artists are identified as “’essential’ to Canadian diversity and its distinct image abroad,” including the recent delegation of artists organized by the IAF and Canada Council for the Arts at the Arctic Arts Summit.

June 21, 2019, is National Indigenous Peoples Day! We put together a list of some of ways we will be celebrating today.

Singer-songwriter Elisapie (Elisapie Isaac) is among the 40 musicians long-listed for this year’s Polaris Music Prize, for her third studio album The Ballad of the Runaway Girl (2018).

The Winnipeg Art Gallery announced a significant gift of $2 million to the Inuit Art Centre from The North West Company, which will fund the development of a public plaza adjacent to the Centre.

On the occasion of Brian Jungen’s exhibition “Friendship Centre” at the Art Gallery of Ontario in Toronto, ON, we revisit his work and surprising connections to celebrated graphic artist Kenojuak Ashevak.

Kablusiak has been named to the short list for the 2019 Sobey Art Award, the most prestigious art prize in Canada. They are the second Inuk artist and first Inuvialuk artist to be short-listed for the accolade.

A sculpture by Joe Talirunili (1893-1976) has broken the record for the highest price paid for a work by an Inuit artist at public auction. The work was offered on May 29th, 2019, in the inaugural sale by First Arts.

What are the implications in having Isuma, a community-based, principally Inuktitut language video art collective based in Iglulik, NU, represent Canada at arguably the world’s most visible and scrutinized international art event?

With Isuma’s exhibition at the Canada Pavilion, the National Gallery of Canada Foundation announced the gift of one million dollars by The Jack Weinbaum Family Foundation to the Canadian Artists in Venice Endowment to support future representation at the premiere contemporary art event.

The IAQ takes you behind the scenes of the 58th Venice Biennale with a first look at Isuma’s installation at the Canada Pavilion, the first time Inuit artists have exhibited as part of the national pavilion.

From experimental shorts and animations to inspiring feature length productions, we have rounded up our must-see film and video works by creators across Inuit Nunangat on view during the course of the 58th Venice Biennale.

On the cusp of the 58th Venice Biennale and on the occasion of a recently renovated Canada Pavilion, we take a look at the history of the international exhibition, Canada’s national pavilion and what these platforms mean for us today.

Alongside the landmark exhibition by Isuma, lead by Zacharias Kunuk, OC and Norman Cohn, at the Canada Pavilion, the Inuit Art Quarterly editorial team has rounded-up their must-sees for the 58th Venice Biennale opening this week.

The Inuit Art Quarterly, the world’s only magazine dedicated to Inuit and circumpolar Indigenous arts, has received two 2019 National Magazine Award nominations for Issue Grand Prix and Publisher Grand Prix.

In recognition of his significant contributions to the art of cartooning in Canada, the late artist Alootook Ipellie will be inducted into the Giants of the North: Canadian Cartoonist Hall of Fame in May 2019.

Kablusiak has been named to the 2019 Sobey Award longlist, Canada’s most prestigious award for young artists. They are the first Inuvialuk artist nominated for the prize and are included as part of the Prairies & North catchment.

The Inuit Art Foundation is saddened to report that Okpik Pitseolak (1946–2019) has passed away. Okpik was a long-time member of the IAF Board of Directors and a fierce advocate for Inuit artists.

Renowned Iglulik-based sculptor Bart Hanna Kappianaq unveiled Sedna with Friends (2019) at the Canadian Parliament Complex in Ottawa, ON, coinciding with the 20th anniversary celebrations of the establishment of Nunavut.

Fellow author Norman Dunning delves into Polaris Prize and Juno award-winning musician Tanya Tagaq’s debut novel Split Tooth (2018) that is a part autobiographical, part fictional and intermingles prose with poetry and drawing.

Inuit musicians Tanya Tagaq, Kelly Fraser, PIQSIQ, Iva and more have boycotted the Indigenous Music Awards over concerns of cultural appropriation in the work of nominee Cikwes, who incorporates throat singing within her work.

The Nunatta Sunakkutaangit Museum in Iqaluit, NU, the Territory’s only museum, announced recently that Jessica Kotierk has been hired as the Manager and Curator.

Ottawa-based artist and curator Jocelyn Piirainen has joined the Winnipeg Art Gallery as the inaugural Assistant Curator of Inuit Art. Piirainen is the first Inuk in Canada to hold a lead curatorial position at a provincial museum.