Ottawa-based photographer Katherine Takpannie captures the complexities and nuances of urban Inuit life with her expansive scenes and intimate portraits.

“Memory Keepers /Gardiens des mémoires” is a collaborative installation by Jesse Tungilik, Jason Sikoak, Megan Kyak-Monteith, Darcie Bernhardt, Tom McLeod, Glenn Gear and Caroline Monnet at the FOFA Gallery courtyard at Concordia.

Accompanying the historic apology from the federal government, we revisit the carvings produced during patient stays in southern sanitariums that provide an invaluable record of this chapter of Canadian history in stone.

Arguably the world’s largest—and most debated—recurring contemporary art exhibitions, documenta 14 urges viewers to rethink the powerful potential of objects and images in the advancement of Indigenous sovereignty.

Over 750 contemporary sculptures, 120 works on paper and 25 examples of historical material by Inuit artists from across the North were donated to the Canadian Museum of by the estate of Dr. Margaret (Marmie) Perkins Hess.

A curator, artist and writer reviews the landmark exhibition “Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak” and the critical strategies that blur the divides between artist and curator.

The Kinngait (Cape Dorset), NU graphic artist is the first Inuk recipient of the prestigious $50,000 prize and solo exhibition at the Art Gallery of Ontario.

Renowned artist Elisapee Ishulutaq, OC, passed away on December 8, 2018 in Panniqtuq (Pangnirtung), NU, at the age of ninety-three. Born in 1925, Ishulutaq lived on the land until around 1970 when she and her family moved to Panniqtuq.

Barry Pottle, Katherine Takpannie and Annie Pootoogook (1961-2016) are among the artists included in the City of Ottawa Art Collection’s recent acquisition who will be featured the exhibition Kaleidoscope at the City Hall Art Gallery.

Following a riveting round of bidding at Waddington’s in Toronto, ON on November 20th, 2018, a red-tailed copy of Kenojuak Ashevak’s famous 1960 print The Enchanted Owl broke previous auctions records set by the artist.

Independent curator and Associate Dean at OCAD University Ryan Rice reflects on the legacy of a foundational national collection and its power to reframe dialogues on the scope and shape of what a nation might be.

We explore the lesser-known currents of Pootoogook’s oeuvre, providing a new way to look at the profound impact of her work.

The chance discovery of works by Helen Kalvak, Agnes Nanogak Goose, and more—once thought to be lost—spread across three safes in the community of Ulukhaktok, NT, has spurred a new digitization effort.

From fantasy and adventure to experimental film, music video and documentaries, we’ve rounded up the best offerings from the Circumpolar North across the five-day festival.

Tracing the last 30 years at the Inuit Art Foundation.

The collection features prints by Saimaiyu Akesuk, Shuvinai Ashoona, Qavavau Manumie, Malaija Pootoogook, Cee Pootoogook, Quvianaqtuk Pudlat, Pauojoungie Saggiak, Pitaloosie Saila, Axangayuk Shaa, Padloo Samayualie, and more!

MBAM deepened its promotion of Inuit art and culture with a recent acquisition of work by Niap (Nancy Saunders) as well as the announcement of a new partnership with the Avataq Cultural Institute.

Kinngait-based artist Siassie Kenneally passed away recently in Iqaluit, NU. Over the course of her life, Kenneally produced an incredibly personal body of work that examined modern and traditional life from her own unique perspective

The $10.2 million-dollar Kenojuak Cultural Centre and Print Shop in Kinngait (Cape Dorest), NU opened its doors on September 5, 2018 with a series of celebrations and exhibitions.

The Grizzlies, a film based on the all-Inuit team of the same name, will have its worldwide premiere at the 2018 Toronto International Film Festival this fall.

One of the most original young artists working in Kinngait (Cape Dorset), NU, today, Saila has gained an almost immediate, enthusiastic following in the South for her whimsical creatures and otherworldly landscapes.

Siassie Kenneally qaujimajaulauqpuq titiqtugarminut, tunngaviqalauqput iqqaumajaminik inuusirilauaqtaminiglu. Taana unikkausiqaqpuq titiqtugarmik atausirmit nuititiisimattiarninganik inuusiulauqtumik saqqititinngmat ilunngittiaqsimajumik.

During summer the days are long, the skies are sunny and the insects are out in full force. We are sharing 5 Works from our spring 2018 issue which highlight artists’ interpretations of sometimes pesky, sometimes friendly, critters.

Last week, the Minister of Crown-Indigenous Relations and Northern Affairs announced that the construction of the new Iqaluit Community Day Care is underway and will prominently feature commissioned works by Nunavut artists.

Happy Nunavut Day! In honour of the 25th anniversary of the land claims agreement that initiated the establishment of the territory, we’re celebrating by bringing you a selection of work by artists from Nunavut including Laakkuluk Williamson Bathory, Alethea Aggiuq Arnaquq-Baril, Tim Pitsiulak, Jesse Tungilik, Andrew Qappik, Jessie Oonark, Lucy Tasseor Tutsweetok, Kenojuak Ashevak and Hinaani Design.

Iglulik (Igloolik)-based sculptor Bart Hanna Kappianaq has been selected to install a new work in Centre Block, the main building of the Canadian parliament complex on Parliament Hill in Ottawa.

For the first time since 2011, the Uqqurmiut Centre for Arts & Crafts in Panniqtuuq (Pangnirtung), NU, unveiled a new print collection at a launch event on July 8, 2018 as part of the Nunavut Arts Festival in Iqaluit, NU.

Iqaluit-based artist Laakkuluk Williamson Bathory is the recipient of the inaugural Kenojuak Ashevak Memorial Award, for her multi-disciplinary practice which centres on uaajeerneq (Greenlandic mask dance).

“We noticed there was a market for Inuit specific clothing because Inuit really love showing off that they are Inuk.”

The IAQ met with Martha Kyak during Indigenous Fashion Week in Toronto. They discussed what being part of Indigenous Fashion Week means to Martha and how her sought-after sealskin necklace came to be.

IAQ staff met with Inuk Designs during Indigenous Fashion Week in Toronto. They discussed how Inuk Designs got started and what being part of Indigenous Fashion Week in Canada means to Inuk Designs.

“There is this Inuk teaching, the more you give the more you get. So if I’m gifted seal flippers, I’ll give a pair of earrings to the huntress or hunter that gave them to me. It’s an exchange and it just keeps giving me more and more.”

“My goal was to be the Louis Vuitton of tufting.”

The Winnipeg Art Gallery broke ground on its Inuit Art Centre today. Slated for opening in 2020, the 40,000-sqft, four-storey Centre will bring to view the world’s largest public collection of contemporary Inuit art.

The McMichael Canadian Art Collection has named as its new curator Toronto-based critic and curator Sarah Milroy as its new Chief Curator, who seeks to “make Canadian art history relevant and fresh for contemporary audiences.”

“The smell of moose hide is a very warm, inviting smell. As an Indigenous person, it brings you home [from] wherever you are as there is this connection to the land and the smell of smoke and hide; it’s a very familiar smell.”

The Inuit Art Quarterly, the world’s sole publication dedicated to the arts and artists of Inuit Nunangat, has received four 2018 National Magazine Award nominations.

Iqaluit-born artist Couzyn van Heuvelen has been named to the 2018 Sobey Art Award longlist, Canada’s most prestigious award for young artists. The honour comes on the heels of several career milestones for the artist in recent years.

Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.

In 2013, Bart Hanna completed Migration, a monumental ship with a cast of unique characters carved from a single block of stone weighing over 700 pounds. Hanna explains the significance of this singular work to the IAQ.

A retrospective on the magical work of Lukie Airut, a master carver from Iglulik, NU, whose sculptures echo his deep familiarity with his land and the animals that live there.

Iglulik-based artist Lukie Airut (1942–2018) was an immensely talented sculptor known for his multi-dimensional sculptures. His work with whalebone and walrus ivory allowed him to create highly detailed works in increasing scale.

The Winnipeg Art Gallery has confirmed a team of four Inuit guest curators to open the WAG’s Inuit Art Centre’s inaugural exhibition calendar.

Governor General Julie Payette announced 125 new appointments to the Order of Canada, among them Andrew Qappik “for his contributions to defining the visual culture of Nunavut as a master printmaker and sculptor.”

Tiktak, a Kangiqliniq (Rankin Inlet) sculptor, was the first Inuk artist to have a solo show; his one-man show was a watershed moment in the field of Inuit art, paving the way for the hundreds (if not thousands) of solo shows that followed.

Manitoba Sport, Culture and Heritage Minister has confirmed the provincial government will provide $10 million over five years to the Winnipeg Art Gallery’s Inuit Art Centre, a first-of-its-kind cultural landmark in the making.

The 2019 representative artist for the Canada Pavilion at the 58th Venice will be the artist collective Isuma. This is the second time Inuit artists have been presented at the fair, Kananginak Pootoogook being the first in 2017.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.