Iqaluit-based artist Laakkuluk Williamson Bathory is the recipient of the inaugural Kenojuak Ashevak Memorial Award, for her multi-disciplinary practice which centres on uaajeerneq (Greenlandic mask dance).

“We noticed there was a market for Inuit specific clothing because Inuit really love showing off that they are Inuk.”

The IAQ met with Martha Kyak during Indigenous Fashion Week in Toronto. They discussed what being part of Indigenous Fashion Week means to Martha and how her sought-after sealskin necklace came to be.

IAQ staff met with Inuk Designs during Indigenous Fashion Week in Toronto. They discussed how Inuk Designs got started and what being part of Indigenous Fashion Week in Canada means to Inuk Designs.

“There is this Inuk teaching, the more you give the more you get. So if I’m gifted seal flippers, I’ll give a pair of earrings to the huntress or hunter that gave them to me. It’s an exchange and it just keeps giving me more and more.”

“My goal was to be the Louis Vuitton of tufting.”

The Winnipeg Art Gallery broke ground on its Inuit Art Centre today. Slated for opening in 2020, the 40,000-sqft, four-storey Centre will bring to view the world’s largest public collection of contemporary Inuit art.

The McMichael Canadian Art Collection has named as its new curator Toronto-based critic and curator Sarah Milroy as its new Chief Curator, who seeks to “make Canadian art history relevant and fresh for contemporary audiences.”

“The smell of moose hide is a very warm, inviting smell. As an Indigenous person, it brings you home [from] wherever you are as there is this connection to the land and the smell of smoke and hide; it’s a very familiar smell.”

The Inuit Art Quarterly, the world’s sole publication dedicated to the arts and artists of Inuit Nunangat, has received four 2018 National Magazine Award nominations.

Iqaluit-born artist Couzyn van Heuvelen has been named to the 2018 Sobey Art Award longlist, Canada’s most prestigious award for young artists. The honour comes on the heels of several career milestones for the artist in recent years.

Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.

In 2013, Bart Hanna completed Migration, a monumental ship with a cast of unique characters carved from a single block of stone weighing over 700 pounds. Hanna explains the significance of this singular work to the IAQ.

A retrospective on the magical work of Lukie Airut, a master carver from Iglulik, NU, whose sculptures echo his deep familiarity with his land and the animals that live there.

Iglulik-based artist Lukie Airut (1942–2018) was an immensely talented sculptor known for his multi-dimensional sculptures. His work with whalebone and walrus ivory allowed him to create highly detailed works in increasing scale.

The Winnipeg Art Gallery has confirmed a team of four Inuit guest curators to open the WAG’s Inuit Art Centre’s inaugural exhibition calendar.

Governor General Julie Payette announced 125 new appointments to the Order of Canada, among them Andrew Qappik “for his contributions to defining the visual culture of Nunavut as a master printmaker and sculptor.”

Tiktak, a Kangiqliniq (Rankin Inlet) sculptor, was the first Inuk artist to have a solo show; his one-man show was a watershed moment in the field of Inuit art, paving the way for the hundreds (if not thousands) of solo shows that followed.

Manitoba Sport, Culture and Heritage Minister has confirmed the provincial government will provide $10 million over five years to the Winnipeg Art Gallery’s Inuit Art Centre, a first-of-its-kind cultural landmark in the making.

The 2019 representative artist for the Canada Pavilion at the 58th Venice will be the artist collective Isuma. This is the second time Inuit artists have been presented at the fair, Kananginak Pootoogook being the first in 2017.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

Boundary pushing Vancouver-based painter Mark Igliolorte discusses his ongoing research into the Indigenous origins of the kayak, the beauty in shifting perspectives and collapsing the vast distance between coasts.

For three decades, the IAQ has been introducing readers around the globe to the luminaries of Inuit art world. It has been our great pleasure to share the beauty and vitality of Inuit cultural production over the past 30 years.

For this spotlight on the Anchorage Museum in Anchorage, Alaska, we asked Aaron Leggett, Curator of Alaska History and Culture, to pick the five works he believes speak to the heart of the collection.

For this spotlight on the Nuuk Kunstmuseum in Nuuk, Greenland we asked curators Nivi Christensen and Stine Lundberg Hansen to pick 5 works they believe speak to the heart of the collection.

Boarder X is the first exhibition to bring together the work of Inuit, First Nations and Métis artists who also surf, skate or snowboard, and it is a blockbuster. The opening saw 900 people cross the threshold of the Winnipeg Art Gallery.

Everyone who enters our living room stops and looks in awe at the green stone sculpture by Inuit artist Bill Nasogaluak titled Sedna on Cross (2006). Also known as The Death of My Culture, the sculpture’s strength is inescapable.

Inuit art contributed $87.2 million to the Canadian economy in 2015, according to a trailblazing study released today.

The Igloo Tag Trademark will transfer from Indigenous and Northern Affairs Canada to the IAF, which is uniquely positioned to administer the trademark to further protect, promote and support Inuit art in Canada and internationally.

Massie was made a Member to the Order for his work as a sculptor and silversmith and Hamilton for her promotion of Inuit arts and culture, as well as her support of Arctic performers and artists.

In celebration of National Aboriginal Day, the Canadian Museum of Nature opens the new, permanent Canada Goose Arctic Gallery, featuring Ilurqusivut (Our Ways), a large-scale mural created by Inuk artist Nancy Saunders (Niap).

The IAQ is pleased to present this portfolio—a look at Inuit photography today—with some of the most notable artists working across the North.

For the first time ever, a Canadian banknote features a work of Inuit art! Kenojuak Ashevak’s Owl’s Bouquet (2007) will appear on 40 million commemorative $10 banknotes celebrating Canada’s 150th anniversary of Confederation.

Former Inuit Art Foundation President Mattiusi Iyaituk travels to Switzerland to present at the International Conference on Artist’s Resale Right, hosted by the World Intellectual Property Organization (WIPO).

After eight years of annual consultations, Qaggiavuut! is preparing to launch an international fundraising campaign for a Nunavut Performing Arts Centre, pursuing financial support for a dedicated performance space for the region.

Inuit Art Quarterly Editor Britt Gallpen has been recognized as Editor Grand Prix, Honourable Mention at the 2017 Magazine Grands Prix. The award recognizes excellence, leadership and mentorship in magazine editing.