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FEATURE

What Gets Lost


The Canadian Eskimo Arts Council's Rejected Prints



The CEAC spent decades moderating the sale of Inuit art to southern audiences by prohibiting works arbitrarily deemed unacceptable from entering the market. We examine what works were rejected and why.


by IAQ

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Artist

Tarralik Duffy

Tarralik Duffy is a talented artist, jeweller and writer from Salliq (Coral Harbour), NU currently based in Saskatoon, SK. Working primarily in jewellery design, she also uses textiles and other mediums to produce clothing and accessories for her label Ugly Fish. She has travelled across Canada exhibiting and selling her work including shows at the Winnipeg Art Gallery in Winnipeg, MB. Her work is currently available at the National Gallery of Canada Boutique in Ottawa, ON. Recently, Duffy contributed the Feature story "Uvanga/Self: Picturing Our Identity" on self-portraiture for the Fall 2018 issue of the "Inuit Art Quarterly."

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Igloo Tag

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The Canadian federal government created the Igloo Tag Trademark in 1958 in order to protect Inuit visual art from mass-produced, fraudulent work. The trademark, most often applied to sculpture, is a safeguard for collectors and artists that only applied to works made by Inuit.

The Inuit Art Foundation accepted the rights to the trademark from the government in 2017. For the first time, the trademark is now led by Inuit, for Inuit.

 

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