175 search results for graphic artist
- Jessie Oonark
- Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.
- https://www.inuitartfoundation.org/iaq-online/30-3-flashback-jessie-oonark
- on coloured card stock, the work of the Qamani’tuaq (Baker Lake), NU, artist Jessie Oonark, OC, RCA (1906–1985), drawings made with coloured pens when the artist was in her prime, in the late 1960s, (WAG). Oonark was also den mother—both literally and figuratively—to a whole generation of artists in her adopted hometown. (Eight of her children would become artists, and her work would lay, of Canadian Arctic Producers, was irrefutable evidence of Oonark’s artistic mastery, expressed
- Accessing Ancestral Ways Of Being, Knowing And Creating Through Art
- Melodie Sammurtok-Lavallée reflects on Inuit identity, history and aesthetics through the process of creating.
- https://www.inuitartfoundation.org/iaq-online/accessing-ancestral-ways-of-being-knowing-and-creating-through-art
- artist Ivory Comb (c. 1915 or earlier) Ivory 2.9 X 7.2 X 0.1 cm Courtesy Canadian Museum of History IV-C-1035, D2005-00016 R: Unidentified artist Whale Tail Comb (c. 800–1850) Walrus ivory 5.3 X, combs she found online and added her own artistic details to make the paintings reflect her, combs Courtesy the artist The Winnipeg Art Gallery-Qaumajuq, the Manitoba-based museum that houses, is not unique to me. Jessie Oonark, OC, RCA (1906–1985) is a world-renowned artist whose artwork is highly
- Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists
- This year’s Order of Canada recipient on the artist relationships she spent her life developing.
- https://www.inuitartfoundation.org/iaq-online/gallerist-pat-feheley-on-50-years-of-nurturing-inuit-artists
- Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists, on graphic work from Kinngait; but in recent years the artists that you're featuring have completely, working collaboratively with Inuit artists has made all the difference. Britt Gallpen, Editorial, communities, having conversations with artists and makers, having a commitment to bringing artists down, Reproduced with Permission Dorset Fine Arts © the Artist BG: What were the first public, through her drawings together. That was the first show where I actually was interviewing the artist
- Dayle Kubluitok’s Digital Illustration Practice
- Building a space for Inuit within popular culture and mainstream news.
- https://www.inuitartfoundation.org/iaq-online/dayle-kubluitok-s-digital-illustration-practise
- Corners (2019) Digital illustration COURTESY THE ARTIST This responsiveness to their community, and graphic novels,” they say. “Maybe some animations—we’ll see.” This Profile was made possible through support from the RBC Foundation’s Emerging Artists Project. This Profile originally appeared
- Revisiting Annie Pootoogook
- We explore the lesser-known currents of Pootoogook’s oeuvre, providing a new way to look at the profound impact of her work.
- https://www.inuitartfoundation.org/iaq-online/revisiting-annie-pootoogook-spirit-self-stories
- of celebrated graphic artist Annie Pootoogook (1969–2016). What have been arguably less considered, however, to again and again by the artist over her brief but prolific career.
Annie Pootoogook, Fish, . They felt that the work wasn’t a strong example of that artist’s particular practice, which is a common, of universal agreement. Few artists have garnered the amount of attention in the Canadian media that Pootoogook secured; no other contemporary artist’s personal life has received the scrutiny that hers
- Maureen Gruben
- “The smell of moose hide is a very warm, inviting smell. As an Indigenous person, it brings you home [from] wherever you are as there is this connection to the land and the smell of smoke and hide; it’s a very familiar smell.”
- https://www.inuitartfoundation.org/iaq-online/profile-maureen-gruben
- sensorial experiences of it–smell, touch and feeling–is a powerful theme in the work of Inuvialuk artist, from the community and are often mixed by the artist with manufactured materials such as bubble wrap, pass, the graphic quality of Stitching My Landscape appears almost violent, with the shock, , the imagery is deeply rooted in personal memory, family and community. The artist recalls watching, , the artist also works with bones, teeth and organs such as beluga intestine. In Consumed (2017
- Kinngait Rewind
- To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.
- https://www.inuitartfoundation.org/iaq-online/kinngait-rewind-6-iaf-staff-pick-favourite-prints
- Pootoogook’s (1935–2010) skill as a graphic artist and interest in Arctic wildlife is well, dark blue to azure, bringing us viscerally along for the ride on this crisp summer day. The artist, concept, realized in a limited palette, confidently marked and beautifully rendered. Here, the artist, groundbreaking photography than his graphic work, Peter Pitseolak’s (1902–1973) posthumously released Two Girls
- Several Circumpolar Films to Screen at imagineNATIVE
- Plus: Abraham Anghik Ruben retrospective opens, North of North is renewed for season 2, Aedan Corey is shortlisted for the Indigenous Voices Award and more!
- https://www.inuitartfoundation.org/iaq-online/several-circumpolar-films-to-screen-at-imaginenative
- , QC, graphic artist Mary Paningajak and will be on display until August 23. North of North, with broad interests, and finally being celebrated as an artist worthy of representing humanity, . Aedan Corey Shortlisted for the 2025 Indigenous Voices Award
Inuk artist and writer Aedan, artist and designer Tarralik Duffy’s exhibition Klik My Heels, opened at the Remai Modern. Originally
- 11 Inuit Designers to see at the Indigenous Fashion Arts Festival
- Catch Inuit talent at the marketplace and on the runways.
- https://www.inuitartfoundation.org/iaq-online/11-inuit-designers-to-see-at-the-indigenous-fashion-arts-festival
- : Arctic Luxe Permafrost Collection (2022) © the artist Arctic Luxe
Inupiaq fashion artist, line © the artist Bibi Chemnitz
Born in Nuuk and raised all over Greenland, the Greenlandic, © the artist Inuk360 Inuk360 (Brendalynn Trennert) is an Inuvialuit Master caribou hair tufter, Fish Tail and Signature Studs - Ocean Love earrings (2022) © the artist Erica Lugt Erica Lugt is a jewellery artist from Tuktuyaaqtuuq (Tuktoyaktuk), Inuvialuit Settlement Region, NT, whose
- 9 Inuit- and Sámi-Directed Films to Catch at imagineNATIVE
- Inuit and Sámi filmmakers bring Arctic life to the screen at Indigenous film and media arts fest.
- https://www.inuitartfoundation.org/iaq-online/9-inuit-and-sami-directed-films-to-catch-at-imaginenative
- creation stories that the Iglulik (Igloolik), NU, artist is well known for depicting in her graphic art, Siku Allooloo Spirit Emulsion (2022) (trailer) © the artist Screening: In person October 19, Spirit Emulsion, an experimental short film by Inuk and Haitian Taíno writer, artist and poet, (2022) (trailer) Courtesy Mongrel Media © the artist Screening: October 23 at 3:15 pm Director, the inaugural imagineNATIVE artist-in-residence from 2017 to 2018.
ŠAAMŠIǨ – Great Grandmother’s Hat