178 search results for graphic artist
- Gabriel Nuraki Koperqualuk
- Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting to his Nunavimmiut identity while living and producing art in an urban centre.
- https://www.inuitartfoundation.org/iaq-online/circumpolar-cinema-gabriel-nuraki-koperqualuk
- Multidisciplinary artist and filmmaker Gabriel Nuraki Koperqualuk has spent his career connecting, as an emerging “fifth region” of Inuit Nunangat. The film focuses on the lives and careers of artist Niap, with and interview artists, musicians and politicians that have since influenced his own practice, photographs of the Arctic, the artist sees his work as a contemporary nod to the adaptability of traditional, COURTESY THE ARTIST Emily Henderson: Can you tell me a bit about your process in making
- Exhibition Review: ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life
- A review of the reimagined Inuit galleries at the MMFA.
- https://www.inuitartfoundation.org/iaq-online/exhibition-review-ᐆᒻᒪᖁᑎᒃ-uummaqutik-essence-of-life
- ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life, curated by guest curator and artist asinnajaq, opened, , subjects and the vast geography represented by the many artists included, who are from all four Inuit, with ironworks artist Étienne Guay, it takes up a large section of floor space with bold colours, faded pink graphic work commissioned by Thomassie Mangiok for the exhibition space, which hangs along, . As an Iqaluit, NU, resident, I was happy to see multiple works by Ennutsiak (1896–1967), an artist who
- Nunarait—Summer Bouquets
- IAQ staff stop and smell the flowers.
- https://www.inuitartfoundation.org/iaq-online/nunarait-summer-bouquets
- Flowers (2012) Coloured pencil and felt pen on paper © THE ARTIST Kinngait Summer Flowers (2012)
I love the contrasting black paper and the neon-bright colours of the flowers that graphic artist Nicotye, ) (Spring detail) Embroidery floss on wool stroud 173 x 119.3 cm © THE ARTIST Four Seasons, growing (2021) © THE ARTIST Keep growing (2021)
At first glance, Kanayuq’s Keep growing (2021) feels, (2024) Caribou tufted earrings on hide with pearls and seed beads © THE ARTIST Untitled (2024
- Jessie Oonark
- Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.
- https://www.inuitartfoundation.org/iaq-online/30-3-flashback-jessie-oonark
- on coloured card stock, the work of the Qamani’tuaq (Baker Lake), NU, artist Jessie Oonark, OC, RCA (1906–1985), drawings made with coloured pens when the artist was in her prime, in the late 1960s, (WAG). Oonark was also den mother—both literally and figuratively—to a whole generation of artists in her adopted hometown. (Eight of her children would become artists, and her work would lay, of Canadian Arctic Producers, was irrefutable evidence of Oonark’s artistic mastery, expressed
- Accessing Ancestral Ways Of Being, Knowing And Creating Through Art
- Melodie Sammurtok-Lavallée reflects on Inuit identity, history and aesthetics through the process of creating.
- https://www.inuitartfoundation.org/iaq-online/accessing-ancestral-ways-of-being-knowing-and-creating-through-art
- artist Ivory Comb (c. 1915 or earlier) Ivory 2.9 X 7.2 X 0.1 cm Courtesy Canadian Museum of History IV-C-1035, D2005-00016 R: Unidentified artist Whale Tail Comb (c. 800–1850) Walrus ivory 5.3 X, combs she found online and added her own artistic details to make the paintings reflect her, combs Courtesy the artist The Winnipeg Art Gallery-Qaumajuq, the Manitoba-based museum that houses, is not unique to me. Jessie Oonark, OC, RCA (1906–1985) is a world-renowned artist whose artwork is highly
- Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists
- This year’s Order of Canada recipient on the artist relationships she spent her life developing.
- https://www.inuitartfoundation.org/iaq-online/gallerist-pat-feheley-on-50-years-of-nurturing-inuit-artists
- Gallerist Pat Feheley on 50 Years of Nurturing Inuit Artists, on graphic work from Kinngait; but in recent years the artists that you're featuring have completely, working collaboratively with Inuit artists has made all the difference. Britt Gallpen, Editorial, communities, having conversations with artists and makers, having a commitment to bringing artists down, Reproduced with Permission Dorset Fine Arts © the Artist BG: What were the first public, through her drawings together. That was the first show where I actually was interviewing the artist
- Dayle Kubluitok’s Digital Illustration Practice
- Building a space for Inuit within popular culture and mainstream news.
- https://www.inuitartfoundation.org/iaq-online/dayle-kubluitok-s-digital-illustration-practise
- Corners (2019) Digital illustration COURTESY THE ARTIST This responsiveness to their community, and graphic novels,” they say. “Maybe some animations—we’ll see.” This Profile was made possible through support from the RBC Foundation’s Emerging Artists Project. This Profile originally appeared
- Revisiting Annie Pootoogook
- We explore the lesser-known currents of Pootoogook’s oeuvre, providing a new way to look at the profound impact of her work.
- https://www.inuitartfoundation.org/iaq-online/revisiting-annie-pootoogook-spirit-self-stories
- of celebrated graphic artist Annie Pootoogook (1969–2016). What have been arguably less considered, however, to again and again by the artist over her brief but prolific career.
Annie Pootoogook, Fish, . They felt that the work wasn’t a strong example of that artist’s particular practice, which is a common, of universal agreement. Few artists have garnered the amount of attention in the Canadian media that Pootoogook secured; no other contemporary artist’s personal life has received the scrutiny that hers
- Maureen Gruben
- “The smell of moose hide is a very warm, inviting smell. As an Indigenous person, it brings you home [from] wherever you are as there is this connection to the land and the smell of smoke and hide; it’s a very familiar smell.”
- https://www.inuitartfoundation.org/iaq-online/profile-maureen-gruben
- sensorial experiences of it–smell, touch and feeling–is a powerful theme in the work of Inuvialuk artist, from the community and are often mixed by the artist with manufactured materials such as bubble wrap, pass, the graphic quality of Stitching My Landscape appears almost violent, with the shock, , the imagery is deeply rooted in personal memory, family and community. The artist recalls watching, , the artist also works with bones, teeth and organs such as beluga intestine. In Consumed (2017
- Kinngait Rewind
- To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.
- https://www.inuitartfoundation.org/iaq-online/kinngait-rewind-6-iaf-staff-pick-favourite-prints
- Pootoogook’s (1935–2010) skill as a graphic artist and interest in Arctic wildlife is well, dark blue to azure, bringing us viscerally along for the ride on this crisp summer day. The artist, concept, realized in a limited palette, confidently marked and beautifully rendered. Here, the artist, groundbreaking photography than his graphic work, Peter Pitseolak’s (1902–1973) posthumously released Two Girls