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  • QimirpikPitseolakCarverMakingSculpture
    • Choice

    Pitseolak Qimirpik

    Fusing pop-culture and tradition
  • AshevakMathewsieDrumDancerCROP
    • Choice

    Mathew Ashevak

    Polished to perfection
  • IquallaqDamienTraditionalInuitTattoosCROP
    • Choice

    Damien Iquallaq

    Intricately detailed and finely texture
  • PottleDerrekKayakHunter
    • Choice

    Derrick Pottle

    Memory and experience
  • BoulayPriscillaWomanFishingCROP2
    • Choice

    Priscilla Boulay

    A life surrounded by carving
  • NingeocheakKupapik_Owl_2016_feheley
    • Choice

    Kupapik Ningeocheak

    Incredible mass and presence
  • KayotakHeatherFacesCROP
    • Choice

    Heather Kayotak

    Mysteries that charm and delight
  • NingeoseakKakkeeNarwhalCompositionCROP
    • Choice

    Kakkee Ningosiaq

    Swimming upwards
  • JasonJacque
    • Choice

    Jason Jacque

    Distilled arctic animals
  • NatakokMayuHunterInKayak
    • Choice

    Malu Natakok

    Inherent charm and humour
  • SivuarapikJohhnyEmerging Faces
    • Choice

    Johnny Sivuarapik

    An abstract look at stone.
  • TaylorDerraldMotherandChildCROP2
    • Choice

    Derrald Taylor

    Finely detailed and highly technical
  • KudlukSammyShamanCROP
    • Choice

    Sammy Kudluk

    Whimsical, unexpected and brimming with movement
  • Myra Kikiiyaut-Kayaks and Caribou
    • Choice

    5 Works: Winter 2019

    IAQ staff have picked works that show how people cruise, chase and travel across oceans, rivers and dreams.
  • TeeveeNingiukuluAasiva(Spider)
    • Choice

    Kinngait Rewind

    To celebrate the 60 years of printmaking in the Kinngait (Cape Dorset) community, IAF staff share their decade-specific picks.
  • LonsdaleMayLoonsCuringTheBlind
    • Choice

    Loons Curing the Blind

    IAQ’s John Geoghegan takes a closes look at one of the Canadian Eskimo Arts Council’s rejected prints: “Loons Curing the Blind” by May Lonsdale
  • TunnillieIkayuktaBirdsAndDogFeeding
    • Choice

    Birds and Dog Feeding

    Couzyn Van Heuvelen takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birds and Dog Feeding” by Ikayukta Tunnillie.
  • UtanaaqPaulDrumDanceInTheIgloo
    • Choice

    Drum Dance in the Igloo

    Mark Igloliorte takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Drum Dance in the Igloo” by Paul Uta’naaq
  • Thomassie Echalook - Untitled (1976)
    • Choice

    Untitled (1976)

    Janice Grey takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Untitled” by Thomassie Echalook
  • ParrUntitled(7Geese4People2Dogs)
    • Choice

    Untitled (7 Geese, 4 People, 2 Dogs)

    Mark London takes a closer look at one of the Canadian Eskimo Arts Council’s Rejected Prints, “Untitled (7 Geese, 4 People, 2 Dogs)” by Parr.
  • KigusiuqJanetWomanInLabour
    • Choice

    Woman in Labour

    Linda Grussani takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Woman in Labour” by Janet Kigusiuq.
  • QumaalukLeahManAndWOmanGoingAfterWalrus
    • Choice

    Man and Woman Going After Walrus

    Richard Murdoch takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints: “Man and Woman Going after Walrus” by Leah Qumaaluk.
  • PootoogookNapachieWalrusSurprisesHunter
    • Choice

    Walrus Surprises Hunter

    Heather Campbell takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Walrus Surprises Hunter” by Napachie Pootoogook.
  • EgotakHarryBirthofJesus
    • Choice

    Birth of Jesus

    Alysa Procida takes a closer look at one of the Canadian Eskimo Arts Council’s rejected prints, “Birth of Jesus” by Harry Egotak.
  • MaijaTailfeathersElleBihttos (Rebel)Still2
    • Choice

    Elle-Máijá Tailfeathers' Rebel Love Story

    Blackfoot and Sámi writer, director, producer and actor Elle-Máijá Tailfeathers’ 2014 film tells the story of her parent’s activism as well as the legacies of intergenerational and familial trauma through their radical, rebel love.
  • AggiuqArnaquqBarilAletheaTunniitRetracingTheLinesOfInuitTattoosStill
    • Choice

    Tracing the Lines of Alethea Aggiuq Arnaquq-Baril's Tunniit

    Through the lens of the 2011 film “Tunniit: Retracing the Lines of Inuit Tattoos,” Writer, producer and director Stacey Aglok revisits the Iqaluit-based filmmakers practice that has become a living, breathing process.
  • JungenBrianKenojuakAshevak#1Landscape
    • Choice

    How Kenojuak Ashevak Influenced Brian Jungen

    On the occasion of Brian Jungen’s exhibition “Friendship Centre” at the Art Gallery of Ontario in Toronto, ON, we revisit his work and surprising connections to celebrated graphic artist Kenojuak Ashevak.
  • MassieMichaelTheEnduranceGame
    • Choice

    Spiders, Insects and Other Creepy-Crawlies

    During summer the days are long, the skies are sunny and the insects are out in full force. We are sharing 5 Works from our spring 2018 issue which highlight artists’ interpretations of sometimes pesky, sometimes friendly, critters.
  • MosesJamesKivetorukUntitled(Drumming)
    • Choice

    Anchorage Museum

    For this spotlight on the Anchorage Museum in Anchorage, Alaska, we asked Aaron Leggett, Curator of Alaska History and Culture, to pick the five works he believes speak to the heart of the collection.
  • HoveAnnieBirtheNightRavens
    • Choice

    Nuuk Kunstmuseum

    For this spotlight on the Nuuk Kunstmuseum in Nuuk, Greenland we asked curators Nivi Christensen and Stine Lundberg Hansen to pick 5 works they believe speak to the heart of the collection.
  • Bill Nasogaluk - Sedna on Cross
    • Choice

    Bill Nasogaluak

    Everyone who enters our living room stops and looks in awe at the green stone sculpture by Inuit artist Bill Nasogaluak titled Sedna on Cross (2006). Also known as The Death of My Culture, the sculpture’s strength is inescapable.
  • UllulaqJudasShamanWithHelpingSpiritsWithInsetMoveableEyes
    • Choice

    Inuit Art Auction Picks

    The IAQ’s favourite auction picks from the fall 2016 art offerings. Here are works that surprised us, delighted us, and left us wishing our budgets were unlimited.
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