The artist reveals the process behind the WAG’s newest piece of public art.

An Afro-Inuk woman finds her perfect niche in one intersectional art exhibition.

A trip to the glassworks in Murano, Italy, reveals the links between Inuit and Venetians.

Illuminating Ultimate Grey through the works of artists from across Inuit Nunangat.

The under-the-radar stories of 2020.

The stories you loved, all wrapped up in a bow.

5 creators on the positives of the past year.

Explore the breadth of art-making in Nunatsiavut

The work of Agnes Nanogak Goose and Peter Aliknak Banksland through the eyes of their descendant.

10 Inuit archival photographs given new names and context.

Wondrous ways to depict the massive marine mammal.

Maureen Gruben and Sonya Kelliher-Combs undertake a reciprocal artist exchange from home.

This month’s comic gives Ashevak’s art its own voices.

The grooviest bears on the internet.

A graphic artist refutes the colonial imposition on their identity.

Explore the breadth of art-making in Nunavik.

ITK President Natan Obed gives a name to a painful past.

Jordan Angunayuak Carpenter wrestles with the ramifications of his own name.

We’re bringing you skulls this spooky season.

An artist reacts to those who mispronounce her name.

Napatsi Folger celebrates the monstrous creatures of Tivi Etook.

An Inuk graphic artist explores her relationship to her namesakes through comics.

One writer’s letter to her younger self.

True tributes to time out on the land.

Our Contributing Editor explore a more personal connection to art in this month’s comic featuring Pudlo Pudlat

Two drone photographers critique one another’s work.

Two drone photographers critique one another’s work.

Two drone photographers critique one another’s work.

Insect inspiration for World Mosquito Day.

Two drone photographers critique one another’s work.

Two photographers critique one another’s work.

Her iconic style mingles with the stick figures of our Contributing Editor in this month’s Inuit art comic.

Kenojuak Ashevak depicted many owls throughout her career, naming each with a unique descriptor. Here, we take a closer look at thirty of her avian adjectives.

Who works the clay of the Kivalliq region?

Investigating the minimalism and austerity of Arviat carvings.

6 Inuit artists take on water at the surface.

6 Inuit artists take on water in the deep.

6 Inuit artists take on water at the shore.

Explore the breadth of art-making in Nunavut.

Joe Tallirunili’s iconic carvings and prints reimagined get reimagined in watercolour by our Contributing Editor.

Investigating the printmakers in Kinngait (Cape Dorset), NU.

What does self-portraiture mean for an Inuit artist?

How did prints by one Inuk get published in the South in 1915?

How have Inuit artists approached inlay?

After nearly five decades of creating, Abraham Anghik Ruben asks what’s next for Inuit art.

Statues in Ausuittuq (Grise Fiord), NU, and Qausuittuq (Resolute Bay), NU, search for justice.

Reclaiming traditional tattoos through the Inuit Tattoo Revitalization Project.

Sealskin + toothbrush = fine art print?

Preventing cultural ties from being severed and documenting past attempts to do so.

Journeying to Nunatsiavut in search of answers.

Helen Kalvak’s life gets a comic strip makeover from our Contributing Editor.

Nine pieces that didn't make it into the print magazine.

What records have been stitched into the wool duffel of Baker Lake?

Kenojuak Ashevak’s life gets a cartoon makeover from our Contributing Editor.

Celebrate the bond between mother and child through Inuit art.

The award-winning artist talks about the perks and pitfalls of her online workshops.

Unseen currents connect us all.

50 years of innovation in 31 woven works.

The legacy continues.

What does it take to weave a 60-inch tapestry?

How did they go from blankets to tapestries?

Where it all began.

The politics of carving in Nunatsiavut.

Totally polar-izing?

Literally all things polar bear.

This Valentine’s Day and all days.

The top dogs of Inuit art

The places we sell

The places we sculpt

The places we find stone

Decades before "Classic Blue" was a trend, Inuit tastemakers took it for a spin.

What happened to Inuit art over the last decade?

Our readers have spoken, and the top ten posts from 2019 are here. Can you guess what made the list?

Britt Gallpen traces the work of three circumpolar Indigenous artists spanning the Global North and examines the political, cultural and aesthetic impact of their use of organic materials.

At the 58th edition of the Venice Biennale, Isuma represented Canada—the first time Inuit artists have done so in the history of the national pavilion. Reneltta Arluk reviews the installation.

Lisa Alikamik looks at the metamorphosis of printmaking in Ulukhaktok (formerly Holman), Invialuit Settlement Region, NT, from wall art to household good.

SakKijâjuk is the first nationally touring exhibition of Inuit art from Nunatsiavut. Jennifer McVeigh reviews what is a thoughtful, multifaceted exhibition on a wide variety of creative practices.

Tobey Andersen traces printmaking's elusive history in Nain, Nunatsiavut, NL, from its beginnings in 1976 to the present day.

Janice Grey opens the archives of la Fédération des coopératives du Nouveau-Québec and examines works from the early printmakers of Inukjuak, Nunavik, QC.

Nakasuk Alariaq relates the history of celebrated artist and shaman Kiakshuk, whose prints are among the earliest to come out of Kinngait (Cape Dorset), NU.

The CEAC spent decades moderating the sale of Inuit art to southern audiences by prohibiting works deemed unacceptable from entering the market. We examine what works were rejected and why.

Reflecting on a trip North in the early 1990s, a curator and writer delves into Isuma’s legacy, their presentation of time and what the collective’s work means for us all.

Iglulik-based collectives Isuma and Arnait Video Productions harness the power of film to retain, recall and preserve collective memory, significantly contributing to the revitalization of culture and language.

Containing never before seen recordings, interviews, documentation and over 20 years of raw footage, what questions are raised after visiting the archive of Igloolik Isuma Productions housed at the National Gallery of Canada?

What are the implications in having Isuma, a community-based, principally Inuktitut language video art collective based in Iglulik, NU, represent Canada at arguably the world’s most visible and scrutinized international art event?

On the cusp of the 58th Venice Biennale and on the occasion of a recently renovated Canada Pavilion, we take a look at the history of the international exhibition, Canada’s national pavilion and what these platforms mean for us today.

Fellow author Norman Dunning delves into Polaris Prize and Juno award-winning musician Tanya Tagaq’s debut novel Split Tooth (2018) that is a part autobiographical, part fictional and intermingles prose with poetry and drawing.

Despite the fact that love and sex in the Canadian Arctic is not new, images of erotic scenes have rarely graced the pages of the IAQ. Here, we push past voyeuristic taboos to bring us into the pulse of recent erotic Inuit art.

Arguably the world’s largest—and most debated—recurring contemporary art exhibitions, documenta 14 urges viewers to rethink the powerful potential of objects and images in the advancement of Indigenous sovereignty.

A curator, artist and writer reviews the landmark exhibition “Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak” and the critical strategies that blur the divides between artist and curator.

The chance discovery of works by Helen Kalvak, Agnes Nanogak Goose, and more—once thought to be lost—spread across three safes in the community of Ulukhaktok, NT, has spurred a new digitization effort.

Happy Nunavut Day! In honour of the 25th anniversary of the land claims agreement that initiated the establishment of the territory, we’re celebrating by bringing you a selection of work by artists from Nunavut including Laakkuluk Williamson Bathory, Alethea Aggiuq Arnaquq-Baril, Tim Pitsiulak, Jesse Tungilik, Andrew Qappik, Jessie Oonark, Lucy Tasseor Tutsweetok, Kenojuak Ashevak and Hinaani Design.

Yet in spite of the lack of an enduring arts industry, a cooperative system, institutional support or scholarly interest, Nunatsiavut continues to produce such exceptional artists as Michael Massie, John Terriak and Heather Campbell.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

Boundary pushing Vancouver-based painter Mark Igliolorte discusses his ongoing research into the Indigenous origins of the kayak, the beauty in shifting perspectives and collapsing the vast distance between coasts.

Boarder X is the first exhibition to bring together the work of Inuit, First Nations and Métis artists who also surf, skate or snowboard, and it is a blockbuster. The opening saw 900 people cross the threshold of the Winnipeg Art Gallery.

The IAQ is pleased to present this portfolio—a look at Inuit photography today—with some of the most notable artists working across the North.

Astral Bodies (2016) at the Mercer Union in Toronto, allows viewers to speculate what the otherworldly may hold through the works of five women whose individual practices address real or imagined spaces beyond physical realms.

What, or rather who, is a change maker? This is the central question that lingered for me after visiting Change Makers at the Art Gallery of Mississauga, which featured works by seven Indigenous artists working across North America and Europe. Given the gallery’s newly-implemented mandate to incorporate “diverse Indigenous perspectives within exhibitions and programming,” the answer seems implied but was not fully articulated. Read More

The seal hunt is a delicate subject for Newfoundland and Labradorians. Alethea Arnaquq-Baril’s Angry Inuk takes on anti-sealing narratives to examine what the hunt represents for Canada’s Inuit.

Review of Floe Edge (2016) at the AXENÉO7 Gallery in Gatineau, QC. The packed exhibition hosted works from Tim Pitsiulak, Mona Netser, Nicole Camphaug, Lavinia van Heuvelen, Mathew Nuqingaq and more.

ArtCOP21: a global program of exhibitions, installations and more that emphasize the interrelatedness of climate and culture. Can art communicate the human effects of climate change at a deeper level than facts and figures alone?

Rocks, Stones and Dust brings together work by sixteen artists to reimagine human relationships to rocks, encouraging a reevaluation of our understanding of rocks as stagnant objects.

Manumie’s depiction of human interactions with both the natural and the spiritual worlds melds oral stories with imaginative, often surreal forms that give a sense of the complex interactions of life in the North.