Six more Inuit art exhibitions to visit online.

The Inuit art of your dreams, available by stream.

Curated collections of Inuit art from the comfort of your couch.

What does it take to weave a 60-inch tapestry?

How did they go from blankets to tapestries?

Where it all began.

The politics of carving in Nunatsiavut.

A remarkable female sculptor whose works embodied women in all facets of life.

An Inuit art sensation who dominated Talurjuaq's sculptural scene.

A stone collagist carefully refiguring the expectations of Inuit sculpture.

Totally polar-izing?

The grooviest bears on the internet.

Literally all things polar bear.

Celebrate the bond between mother and child through Inuit art.

This Valentine’s Day and all days.

And everyone who will be there

The top dogs of Inuit art

One jeweller interviews another

The places we sell

The places we sculpt

The places we find stone

Decades before "Classic Blue" was a trend, Inuit tastemakers took it for a spin.

Our top picks for events and major projects happening with Inuit art in 2020.

What happened to Inuit art over the last decade?

Our readers have spoken, and the top ten posts from 2019 are here. Can you guess what made the list?

Britt Gallpen traces the work of three circumpolar Indigenous artists spanning the Global North and examines the political, cultural and aesthetic impact of their use of organic materials.

Shary Boyle and Pierre Aupilardjuk discuss their ceramic collaborations and Aupilardjuk’s experience at the Matchbox Gallery in Kangigliniq, where he’s been making ceramics and teaching for over 20 years.

In this interview with IAF Senior Editor John Geoghegan, Laisa Audlaluk-Watsko, an artist from Grise Fiord, NU, talks about what she hopes to express through her photography on a personal and cultural level.

In this short interview with IAQ Senior Editor John Geoghegan, Kangiqtugaapik-based artist Robert Kautuk talks photography and technology.

The IAQ's John Geoghegan interviews emerging Arctic photographer Mary Gordon of Kuujjuaq, QC, about her artistic practice.

The IAQ's John Geoghegan interviews Eldred Allen of Rigolet, Nunatsiavut, NL, about his development from drone pilot and business owner to photographer.

Àbadakone | Continuous Fire | Feu continuel is the second in an ongoing series of exhibitions organized by the National Gallery, focusing on contemporary Indigenous art from around the world.

Maureen Gruben talks with IAQ’s Napatsi Folger about her latest solo exhibition, her use of traditional and industrial materials, and how Gruben constructs her large scale installations on the land.

While in town as the IAF's featured artist for Art Toronto 2019, Darcie Bernhardt spoke with IAQ's Senior Editor John Geoghegan about her artistic practice and Inuvialuit artist representation.

Now in its 20th year, Art Toronto presents art from Canadian and international galleries alongside lectures and panel discussions. For this year's Art Toronto, IAQ staff choose six must-see artists.

Aleksei Vakhrushev’s new film The Book of the Sea is a hybrid documentary that blends the traditional harvesting practices of contemporary Chukotkan whale hunters with the claymation story of “the woman who gave birth to a whale”.

IAQ Contributing Editor Napatsi Folger speaks with Lindsay McIntyre about her film project Bloodline, which will be on display at Art Toronto, discussing the origins of the project and from whence McIntyre’s artistic practice derives.

IAQ Contributing Editor Emily Henderson speaks with interdisciplinary artist Mark Igloliorte about working with new artistic mediums, his influences, and motion and movement.

PIQSIQ sisters and throat singers Tiffany Kuliktana Ayalik and Kayley Inuksuk Mackay leave listeners enthralled on their debut EP, teaming up with producer Ruby Singh to blend rhythmic throat singing with entrancing beats.

Kenojuak Ashevak depicted many owls throughout her career, naming each with a unique descriptor. Here, we take a closer look at thirty of her avian adjectives.

Lisa Koperqualuk, newly appointed Curator and Mediator of Inuit Art at the Montreal Museum of Fine Arts, speaks with IAQ Contributing Editor Emily Henderson about her new role, Inuit leadership, and lots more.

Ahead of the opening of Transits and Returns at the Vancouver Art Gallery, co-curator Tarah Hogue speaks with IAQ Contributing Editor Emily Henderson on the show’s central themes of movement, mobility and migration.

Was sit down with Iqaluit-based artist Dayle Kubluitok at the Nunatta Sunakkutaangit Museum to discuss her artistic process and her recently completed a mural in the Iqaluit Aquatic Centre.

The CEAC spent decades moderating the sale of Inuit art to southern audiences by prohibiting works deemed unacceptable from entering the market. We examine what works were rejected and why.

Reflecting on a trip North in the early 1990s, a curator and writer delves into Isuma’s legacy, their presentation of time and what the collective’s work means for us all.

Iglulik-based collectives Isuma and Arnait Video Productions harness the power of film to retain, recall and preserve collective memory, significantly contributing to the revitalization of culture and language.

Through the lens of the 2011 film “Tunniit: Retracing the Lines of Inuit Tattoos,” Writer, producer and director Stacey Aglok revisits the Iqaluit-based filmmakers practice that has become a living, breathing process.

Moving between past, present and future, Qamani’tuaq (Baker Lake), NU, artist Janet Nungnik’s large-scale autobiographical textile works weave together poetry and personal history.

What are the implications in having Isuma, a community-based, principally Inuktitut language video art collective based in Iglulik, NU, represent Canada at arguably the world’s most visible and scrutinized international art event?

On the cusp of the 58th Venice Biennale and on the occasion of a recently renovated Canada Pavilion, we take a look at the history of the international exhibition, Canada’s national pavilion and what these platforms mean for us today.

Despite the fact that love and sex in the Canadian Arctic is not new, images of erotic scenes have rarely graced the pages of the IAQ. Here, we push past voyeuristic taboos to bring us into the pulse of recent erotic Inuit art.

We explore the lesser-known currents of Pootoogook’s oeuvre, providing a new way to look at the profound impact of her work.

In an interview conducted last year with Siassie Kenneally, the late Kinngait-based graphic artist, we focus on a single, exceptional work that intimately documents a life lived, in all its striking detail.

Siassie Kenneally qaujimajaulauqpuq titiqtugarminut, tunngaviqalauqput iqqaumajaminik inuusirilauaqtaminiglu. Taana unikkausiqaqpuq titiqtugarmik atausirmit nuititiisimattiarninganik inuusiulauqtumik saqqititinngmat ilunngittiaqsimajumik.

Happy Nunavut Day! In honour of the 25th anniversary of the land claims agreement that initiated the establishment of the territory, we’re celebrating by bringing you a selection of work by artists from Nunavut including Laakkuluk Williamson Bathory, Alethea Aggiuq Arnaquq-Baril, Tim Pitsiulak, Jesse Tungilik, Andrew Qappik, Jessie Oonark, Lucy Tasseor Tutsweetok, Kenojuak Ashevak and Hinaani Design.

“We noticed there was a market for Inuit specific clothing because Inuit really love showing off that they are Inuk.”

IAQ staff met with Inuk Designs during Indigenous Fashion Week in Toronto. They discussed how Inuk Designs got started and what being part of Indigenous Fashion Week in Canada means to Inuk Designs.

The IAQ met with Martha Kyak during Indigenous Fashion Week in Toronto. They discussed what being part of Indigenous Fashion Week means to Martha and how her sought-after sealskin necklace came to be.

“There is this Inuk teaching, the more you give the more you get. So if I’m gifted seal flippers, I’ll give a pair of earrings to the huntress or hunter that gave them to me. It’s an exchange and it just keeps giving me more and more.”

“My goal was to be the Louis Vuitton of tufting.”

Years after her death, 27 of Jessie Oonark’s pristine drawings were discovered in a manila envelope in a basement. Athough already a celebrated artist, these lost drawings confirmed Oonark’s vitality and confidence as an artist.

In 2013, Bart Hanna completed Migration, a monumental ship with a cast of unique characters carved from a single block of stone weighing over 700 pounds. Hanna explains the significance of this singular work to the IAQ.

A retrospective on the magical work of Lukie Airut, a master carver from Iglulik, NU, whose sculptures echo his deep familiarity with his land and the animals that live there.

Yet in spite of the lack of an enduring arts industry, a cooperative system, institutional support or scholarly interest, Nunatsiavut continues to produce such exceptional artists as Michael Massie, John Terriak and Heather Campbell.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

For our 30th anniversary issue, the IAQ asked 15 leading figures in Inuit art to nominate an early-career artist to watch. In turn, those artists selected a senior talent who has inspired them.

Boundary pushing Vancouver-based painter Mark Igliolorte discusses his ongoing research into the Indigenous origins of the kayak, the beauty in shifting perspectives and collapsing the vast distance between coasts.

For three decades, the IAQ has been introducing readers around the globe to the luminaries of Inuit art world. It has been our great pleasure to share the beauty and vitality of Inuit cultural production over the past 30 years.

The IAQ is pleased to present this portfolio—a look at Inuit photography today—with some of the most notable artists working across the North.

Tanya Lukin Linklater talks to the IAQ about her most recent performance, and the space, the dancers, the musician, the text, the backstory and the moment of performance all have their parts to play.

ArtCOP21: a global program of exhibitions, installations and more that emphasize the interrelatedness of climate and culture. Can art communicate the human effects of climate change at a deeper level than facts and figures alone?