The places we sculpt

The places we find stone

Depth and otherworldliness

Steeped in her craft

Natural phenomena and dreams

Dogs both wild and domesticated

From whalebone to stone

Inuvialuit legends and stories

Fusing pop-culture and tradition

Bridging the mystical and physical

Intricately detailed and finely texture

Polished to perfection

Memory and experience

A life surrounded by carving

Incredible mass and presence

Mysteries that charm and delight

Swimming upwards

Distilled arctic animals

Inherent charm and humour

An abstract look at stone.

Finely detailed and highly technical

Whimsical, unexpected and brimming with movement

Decades before Classic Blue was a trend, Inuit tastemakers took it for a spin.

Our top picks for events and major projects happening with Inuit art in 2020.

What happened with Inuit art in 2018?

What happened with Inuit art in 2017?

What happened with Inuit art in 2016?

What happened with Inuit art in 2015?

What happened with Inuit art in 2014?

What happened to Inuit art in 2013?

What happened with Inuit art in 2012?

What happened with Inuit art in 2011?

What happened in the world of Inuit art in 2010?

What happened to Inuit art over the last decade?

Our readers have spoken, and the top ten posts from 2019 are here. Can you guess what made the list?

IAQ staff have picked works that show how people cruise, chase and travel across oceans, rivers and dreams.

Britt Gallpen traces the work of three circumpolar Indigenous artists spanning the Global North and examines the political, cultural and aesthetic impact of their use of organic materials.

At the 58th edition of the Venice Biennale, Isuma represented Canada—the first time Inuit artists have done so in the history of the national pavilion. Reneltta Arluk reviews the installation.

Lisa Alikamik looks at the metamorphosis of printmaking in Ulukhaktok (formerly Holman), Invialuit Settlement Region, NT, from wall art to household good.

Shary Boyle and Pierre Aupilardjuk discuss their ceramic collaborations and Aupilardjuk’s experience at the Matchbox Gallery in Kangigliniq, where he’s been making ceramics and teaching for over 20 years.

SakKijâjuk is the first nationally touring exhibition of Inuit art from Nunatsiavut. Jennifer McVeigh reviews what is a thoughtful, multifaceted exhibition on a wide variety of creative practices.